narcotango (carlos libedinsky)

   
Artist: narcotango (carlos libedinsky)

   Genre(s): 
Other
   

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Discography:


   
 Narcotango 2

   Year: 2006   
Tracks: 10

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New York Dolls

   
Artist: New York Dolls

   Genre(s): 
Rock: Punk-Rock
   

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Discography:


   
 Endless Party

   Year: 2001   
Tracks: 11


   
 Live In Concert, Paris 1974

   Year: 1994   
Tracks: 11


   
 New York Dolls

   Year: 1973   
Tracks: 11

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The New York Dolls created punk rock in front there was a term for it. Building on the Rolling Stones' dirty rock & roll, Mick Jagger's hermaphroditism, daughter group pour down, the glam stone of David Bowie and T. Rex, and the Stooges' anarchical noise, the New York Dolls created a new form of surd rock that presaged both tough rock and threatening metallic element. Their drug-fueled, shambolic performances influenced a generation of musicians in New York and London, wHO all went on to form kindling bands. And although they self-destructed quickly, the band's iI albums continue deuce of the well-nigh popular cult records in rock music & roll history.


All of the members of the New York Dolls played in New York bands in front they formed in late 1971. Guitarists Johnny Thunders and Rick Rivets, bassist Arthur Kane, and drummer Billy Murcia were joined by vocalizer David Johansen. Early in 1972, Rivets was replaced by Syl Sylvian and the radical began playing regularly in turn down Manhattan, in particular at the Mercer Arts Center. Within a few months, they had earned a consecrate cult following, merely criminal record companies were afraid of sign language the isthmus because of their transvestitism and blazing commonness.


Late in 1972, the New York Dolls embarked on their number one tour of England. During the spell, drummer Murcia died after intermixture drugs and alcohol. He was replaced by Jerry Nolan. After Nolan joined the band, the Dolls finally secured a record foreshorten with Mercury Records. Todd Rundgren -- whose sophisticated pop seemed at odds with the band's crash-and-burn rock & twine -- produced the band's eponymic debut, which appeared in the summertime of 1973. The phonograph recording standard overpoweringly positivist reviews, but it didn't bring up the sake of the general populace; the album peaked at number 116 on the U.S. charts. The band's followup, To a fault Much Too Soon, was produced by the legendary daughter group producer George "Shadow" Morton. Although the profound of the record was relatively streamlined, the album was some other commercial failure, only arrival figure 167 upon its former summertime 1974 acquittance.


Undermentioned the unsatisfying gross revenue of their two albums, Mercury Records dropped the New York Dolls. No other record labels were concerned in the band, so they decided to hire a new managing director, the British Malcolm McLaren, wHO would presently become illustrious for managing the Sex Pistols. With the Dolls, McLaren began developing his acquisition for turning shock into priceless publicity. Although he made it go for the Pistols exactly a year later, all of his strategies backfired for the Dolls. McLaren made the band fit out completely in loss leather and do in strawman of the USSR's signal flag, all of which meant to symbolize the Dolls' so-called communist allegiance. The new glide path only made track record labels more reluctant to sign the band and members soon began leaving the mathematical group.


By the heart of 1975, Thunders and Nolan leftfield the Dolls. The left over members, Johansen and Sylvain, discharged McLaren and assembled a new batting order of the band. For the succeeding two old age, the duette lED a multifariousness of different incarnations of the ring, to no success. In 1977, Johansen and Sylvain distinct to break up the band for good. Over the succeeding two decades, versatile outtakes collections, live albums, and compilations were released by a sort of labels and the New York Dolls' iI original studio albums never went taboo of print.


Upon the Dolls' break up, David Johansen began a solo career that would finally transmute into his lounge-singing neuter self Buster Poindexter in the mid-'80s. Syl Sylvain played with Johansen for iI long time ahead he left wing to go after his have solo life history. Johnny Thunders formed the Heartbreakers with Jerry Nolan afterwards they left field the group in 1975. Over the succeeding decade, the Heartbreakers would do sporadically and Thunders would record an occasional solo album. On April 23, 1991, Thunders -- world Health Organization was matchless of the more infamous dose abusers in rock candy & roll story -- died of a diacetylmorphine overdose. Nolan performed at a protection concert for Thunders later in 1991; a few months subsequently, he died of a stroke at the years of 40.


In 2004, former Smiths vocalizer Morrissey -- world Health Organization was once the president of a British New York Dolls fan nightclub -- invited the surviving members of the New York Dolls to do at the 2004 Meltown Festival, a music and cultural festival that was being curated that year by the isaac M. Singer. To the surprise of many, David Johansen, Syl Sylvain, and Arthur Kane agreed to the gig, with Steve Conte (from Johansen's solo isthmus) standing in for Thunders and Gary Powell from the Libertines sitting in on drums. The group's arrange was well received by critics and fans (and was recorded for release on DVD and compact phonograph record), which light-emitting diode to offers for other festival appearances, merely only a few weeks later the Meltdown show, Kane chequered himself into a Los Angeles hospital with what he though was a severe case of the influenza. Kane's ill was soon diagnosed as leucaemia, and he died only a few hours afterwards, on July 13, 2004, at age 55. With Sam Yaffa (of Hanoi Rocks) on bass, the left over Dolls played a hometown tribute to their fallen brothers at Little Steven's International Underground Garage Festival in New York City on August 14, 2004, reuniting over again in 2006 for the all-new CD/DVD One Day It Will Please Us to Remember Even This.





Nevada Tan

Super Furry Animals

   
Artist: Super Furry Animals

   Genre(s): 
Rock
   Indie
   Alternative
   Pop: Pop-Rock
   ROck: Alternative
   Rock: Pop-Rock
   

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Discography:


   
 Hey Venus

   Year: 2007   
Tracks: 11


   
 Love Kraft

   Year: 2005   
Tracks: 12


   
 Songbook: The Singles, Volume One

   Year: 2004   
Tracks: 21


   
 Phantom Power

   Year: 2003   
Tracks: 14


   
 Rings Around the World

   Year: 2001   
Tracks: 13


   
 Mwng (CD 2)

   Year: 2000   
Tracks: 5


   
 Mwng (CD 1)

   Year: 2000   
Tracks: 10


   
 Guerrilla

   Year: 1999   
Tracks: 14


   
 Radiator

   Year: 1997   
Tracks: 14

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Super Furry Animals were one of the number one post-alternative bands, fusing together a numeral of disparate musical genres -- including power pop, punk rock rock, techno, and progressive rock -- creating a shimmering, melodious, saucy, and wilfully artsy rock candy & roll. As one of the leading bands of the mid-'90s Welsh movement, they were already tagged as outsiders by their inclination to sing entire songs in their native tongue, simply their selfsame approach was unique, wide of both whimsey and left wing political activism. What go under them apart from their buster Welsh bands were their infectious melodic sensibilities and their wildly pert attitude, which peers like Gorky's Zygotic Mynci, 60 Ft. Dolls, and Catatonia lacked. Super Furry Animals' 1996 debut album, Fuzzed Logic, became a major English hit, charting in the Top 40 and placing in the Top Ten of many year-end critics' polls.


Formed in Cardiff, Wales, in 1993, Super Furry Animals were comprised of Gruff Rhys (booster cable vocals, guitar), Huw "Bunf" Bunford (guitar, vocals), Guto Pryce (basso), Cian Ciárán (keyboards, electronics), and Dafydd Ieuan (drums). All five members had played in bands throughout their teens prior to forming the group, most notably Rhys, wHO had previously played in a jingle pop up band named Emily that was briefly signed to Creation, as well as a Welsh noise rock band called Ffa Coffi Pawb. Following the breakup of Ffa Coffi Pawb, Rhys played in a triad with Pryce and Ieuan, which eventually evolved into Super Furry Animals. Initially, the mathematical group was a techno outfit, so far they quickly evolved into a neo-psychedelic and progressive pop outfit. After two age or writing and touring, the band sign-language with the Cardiff-based sovereign label Ankst and released their debut EP, Lianfairpwllgywgyllgoger Chwymdrobwlltysiliogoygoyocynygofod (In Space), which was song dynasty solely in Welsh. It was followed within a few months by another EP, Moog Droog, which was too song in Welsh. Both EPs were produced by Gorwel Owen.


By the end of 1995, Super Furry Animals had gained a strong, cross-generational fan base in Wales patch assemblage a strong cult following in Britain, which lED to a six-album record get with Creation Records. Prior to signing with Creation, the band had distinct to whistle the majority of their songs in English, in ordering to hit a wider hearing. Super Furry Animals and Owen produced the group's debut album, which was preceded by two singles in the leaping of 1996 -- "Hometown Unicorn" and "Immortal! Show Me Magic" -- which became temper hits. Fuzzy Logic, the band's debut album, was released in the U.K. in June 1996 to uniformly fantabulous reviews. Within a few months, SFA had turn one of the hippest bands in British sovereign music, with several of the group's lyrical touchstones -- well-nigh notably the ill-famed Welsh pinhead contrabandist Howard Marks, wHO appeared on the cover of Fuzzed Logic -- having turn pop culture references. Super Furry Animals besides became notorious during the summer of 1996 for attending all of the pop music festivals in a mammoth storage tank.


"Something 4 the Weekend" and "If You Don't Want Me to Destroy You" became strike singles in the summer and fall of 1996. The latter exclusive was scheduled to have a B-side called "The Man Don't Give a Fuck," which was built on a sample of Steely Dan's "Showbiz Kids," merely Donald Fagen refused to give the mathematical group permission to use the recording. By November, he relented and "The Man Don't Give a Fuck" was released as a limited edition exclusive in early December, and it reached number 22 on the U.K. charts. Super Furry Animals entered the studios in January 1997 to record their arcsecond album, Radiator, which was released in August 1997. Guerrilla followed two age later, and in mid-2000 the circle resurfaced with Mwng. Cameos by John Cale and Paul McCartney were featured on the challenging 2001 album Rings Around the World, while 2003's Shadow Power was a looser matter. The compilation Songbook: The Singles, Vol. 1 and the new album Sexual love Kraft were both released in 2005. The group sign with the Rough Trade tag in 2006 and released the habit-forming pop record album Hey Venus! in 2007.